Friends!
Our Sasi the fun have directed short film for BMW short film competition and title of the film is 'SINGGAM'. Why Singgam and what's all about? Watch it and you will know why he name it as 'singgam'
I watched just now and already vote for it. So, friends pls watch and vote for our makke Sasi's film.
Synopsis:
This film revolves around a teenage boy traveling back to Masai, Johor, who faces many challenges on the way. Through his travels, he meets a man who makes him realise the meaning of love and how youngsters these days fall into it far too blindly. Who is the that man.....watch it!
Good job sasi and all the very best to you.
www.bmwshorties.com.my
Best Regards
Balan
Wednesday, February 28, 2007
Tuesday, February 27, 2007
Ban Fast Food Ads
Banning cigarrette ads never stop people from smoking , did it? So how does banning fast food ads can stop people from eating fast food.....Don't know where this people got the idea...only GOD knows. Government spending almost 20mil every year to make people to stop smoking with the 'TAK NAK ' campaign and now don't know how much they going to spend for this fast food campaign.
Soon they will ban mamak stalls as well.....
Wake up guys!
Source frm : Vs
Soon they will ban mamak stalls as well.....
Wake up guys!
Source frm : Vs
Monday, February 26, 2007
SUPER STAR OF TOMORROW
Ilayathalapthy Vijay is next super star. K.Balachander already mention in of the cine function that Vijay is waiting super star. But so far nothing is comes from Rajini site. Though he has some of Rajini's quality to entertain audience with his comedy , dance , style and acting but only time will decide that. Infact I am Vijay's fan too.......In my opinion Vijay need to work with top director of cos Ace Director Mani Ratnam and Techyman Shankar to proof that he is good actor.
Watch this video from youtube.
All the best Vijay!
Friday, February 23, 2007
Short Drama Making Competition
We are organizing a �Short Drama Making Competition� called �Skrip Ke Skrin�, which will be broadcasted in our local TV station.
And with great pleasure we would like to invite young adventurous film / drama enthusiast that has great interest to broaden their knowledge and skill and at the same time win cash prizes to be part of this one of a kind programme.
The finalists will get to film their own short dramas and stand a chance to win cash prizes!Who can participate and how to participate? Check out the details below.
1. Eligible participants: Malaysians, 18 to 25 yrs old
2. Materials to prepare: A 1-page (A4 size) proposal for a short drama (20 to 30 minutes).
Theme: Any
Language: Bahasa Malaysia
Please send your entries to: skripkeskrin@gmail.com
Dateline : 12th March 2007
Need more details or explanation?
Please email us at skripkeskrin@gmail.com
Thank you.Y
Y TangFor Manja Films S/B
Posted By : Email : skripkeskrin@gmail.comScreen play writing course
-->
And with great pleasure we would like to invite young adventurous film / drama enthusiast that has great interest to broaden their knowledge and skill and at the same time win cash prizes to be part of this one of a kind programme.
The finalists will get to film their own short dramas and stand a chance to win cash prizes!Who can participate and how to participate? Check out the details below.
1. Eligible participants: Malaysians, 18 to 25 yrs old
2. Materials to prepare: A 1-page (A4 size) proposal for a short drama (20 to 30 minutes).
Theme: Any
Language: Bahasa Malaysia
Please send your entries to: skripkeskrin@gmail.com
Dateline : 12th March 2007
Need more details or explanation?
Please email us at skripkeskrin@gmail.com
Thank you.Y
Y TangFor Manja Films S/B
Posted By : Email : skripkeskrin@gmail.comScreen play writing course
-->
Dewan Bahasa dan Pustaka Profile: A Samad Said
A Samad Said (born 9th April 1935; also known as Hilmy, Isa Dahmuri, Jamil Kelana, Manja, Mesra, and Shamsir) is a unique voice in the realm of Malay-language literature. From poems, short stories and novels, to plays and critical essays, his contributions to each genre stand apart from the rest in their creativity and innovation -- bridging the work of those in the ASAS 50 movement and heralding the arrival of a next generation of writers. Read More
Thursday, February 22, 2007
Thaamirabharani
Director:
Hari
Artists:
Vishal, Banu, Prabhu, Nadiya
On a flashback mode for the most part, `Thaamirabharani' is the story of Bharani (Vishal) whose regard for his uncle Saravanan (Prabhu) and love for his family is so great that he will not brook the slightest insult to them. And as his family is always at loggerheads with another wealthy home, headed by Vijayakumar, peace and tranquillity seem impossible. Murder and mayhem result in incarceration for Bharani. Actually `Thaamira ... ' opens with the villagers waiting for Bharani who is returning from prison after four years in prison.
Hari has a few interesting twists and suspenseful sequences in the narration. The story is not new but it is gripping. However, as the violence Vishal wreaks out on others is unacceptable by any standard, and his insensitivity towards the heroine (Banu) that brings public disrepute to her annoys you, his remorse doesn't make much impact. Kanja Karuppu's comedy track only slows the pace. No humour there.
Sprightly and cheerful or serious and emotional Vishal's acting skills are surely improving. Action comes easily to Vishal but it's time he moves on and begins to think beyond sickles, guns and fisticuffs. A picture of dignity throughout, Prabhu sparkles. His eyes and body language are those of a seasoned performer. Another plump heroine finds her way into Tamil filmdom. Banu has an expressive face and shines in the heavy scenes. But exposure shouldn't be her line, till she sheds the flab. Nadiya comes back looking trim, prim and proper, and her versatility glows. Her role of a rich, uppity woman has no novelty, yet she emerges unscathed.
The high decibel level of actors such as Vijayakumar, and the noisy re-recording (Why so Yuvan?) are deterrents of `Thamirabharani.' Also why `compose' a duet on the lines of L. R. Easwari's popular bhakti refrain `Karpoora Nayakiyae'? Yuvan Shankar Raja disappoints. Na. Muthukumar's lyric capability stands out in the `Vaartha Onnu' number.
The co-ordinated movements of dancers for group songs stand testimony to the choreographers' (Kalyan? Dinesh? Shobi?) imagination. Both camera (Priyan) and art (Kadhir) deserve special mention. So does V.T. Vijayan's editing.
Vishal's heroism pales into insignificance, when he bashes up people both with and without reason.
The opening scene, where he chases a train and nearly kills half a dozen men in the bargain, all because they dared to raise their voices against his uncle, is a classic case of storm in a teacup! Even for a hot-headed person it's bit too much.
Hari
Artists:
Vishal, Banu, Prabhu, Nadiya
On a flashback mode for the most part, `Thaamirabharani' is the story of Bharani (Vishal) whose regard for his uncle Saravanan (Prabhu) and love for his family is so great that he will not brook the slightest insult to them. And as his family is always at loggerheads with another wealthy home, headed by Vijayakumar, peace and tranquillity seem impossible. Murder and mayhem result in incarceration for Bharani. Actually `Thaamira ... ' opens with the villagers waiting for Bharani who is returning from prison after four years in prison.
Hari has a few interesting twists and suspenseful sequences in the narration. The story is not new but it is gripping. However, as the violence Vishal wreaks out on others is unacceptable by any standard, and his insensitivity towards the heroine (Banu) that brings public disrepute to her annoys you, his remorse doesn't make much impact. Kanja Karuppu's comedy track only slows the pace. No humour there.
Sprightly and cheerful or serious and emotional Vishal's acting skills are surely improving. Action comes easily to Vishal but it's time he moves on and begins to think beyond sickles, guns and fisticuffs. A picture of dignity throughout, Prabhu sparkles. His eyes and body language are those of a seasoned performer. Another plump heroine finds her way into Tamil filmdom. Banu has an expressive face and shines in the heavy scenes. But exposure shouldn't be her line, till she sheds the flab. Nadiya comes back looking trim, prim and proper, and her versatility glows. Her role of a rich, uppity woman has no novelty, yet she emerges unscathed.
The high decibel level of actors such as Vijayakumar, and the noisy re-recording (Why so Yuvan?) are deterrents of `Thamirabharani.' Also why `compose' a duet on the lines of L. R. Easwari's popular bhakti refrain `Karpoora Nayakiyae'? Yuvan Shankar Raja disappoints. Na. Muthukumar's lyric capability stands out in the `Vaartha Onnu' number.
The co-ordinated movements of dancers for group songs stand testimony to the choreographers' (Kalyan? Dinesh? Shobi?) imagination. Both camera (Priyan) and art (Kadhir) deserve special mention. So does V.T. Vijayan's editing.
Vishal's heroism pales into insignificance, when he bashes up people both with and without reason.
The opening scene, where he chases a train and nearly kills half a dozen men in the bargain, all because they dared to raise their voices against his uncle, is a classic case of storm in a teacup! Even for a hot-headed person it's bit too much.
Wednesday, February 21, 2007
Vadivelu as Spiderman
Spiderman is a heroic character and always be very serious fighting against evils and villains. Spiderman used to be very helping nature and will be present wherever there need a help.
Spiderman is a super power with lots of unique features built in him making him different from other humans.
Vadivelu has taken so many characters, now he will appear like a Spiderman. This Vadivelu Spiderman will be doing only comedy. No extra powers, only similar dress, no fight.
Vadivelu has taken this role for the movie Viyapaari. Viyapaari, even though it has three girls showing their body almost fully to the extent of vulgarity, now tries to change its image and highlight comedy theme, will issue tickets having Spiderman sticker in it.
Spiderman is a super power with lots of unique features built in him making him different from other humans.
Vadivelu has taken so many characters, now he will appear like a Spiderman. This Vadivelu Spiderman will be doing only comedy. No extra powers, only similar dress, no fight.
Vadivelu has taken this role for the movie Viyapaari. Viyapaari, even though it has three girls showing their body almost fully to the extent of vulgarity, now tries to change its image and highlight comedy theme, will issue tickets having Spiderman sticker in it.
Friday, February 16, 2007
SJ Surya Gatal
It was told that S J Surya touched Malavika's private parts during shooting of the song 'Kosu kadiuthu' for the movie Viyapaari.
'During the shooting at a bungalow on the East Coast road, S J Surya misbehaved with Malavika by touching her private areas while performing dance movements. As Malavika used very harsh language against Surya, Surya apologized for his behavior and the shooting was finished with different dance movements' This news is false claims of the cine technician who claims he was present during the shooting.
Another one says 'Nothing of this sort ever happened, and its a regular strategy which Malavika adopts to be present in the news always'.
When Malavika was contacted she refused to give details. S J Surya refuses this news.
"Nerup-pilaamayaaa pukaiyum"
Simbu Love Story
Simbhu and Nayan were dating while she was acting with him for his movie.
She got a expensive car as a gift from a Telugu actor for working closely with him and this news reached Simbhu and Simbhu questioned her on this. Nayan escaped from Simbhu and declared she is not in LOVE with Simbhu and all her relationship that she might have had with him is broken.
She got a expensive car as a gift from a Telugu actor for working closely with him and this news reached Simbhu and Simbhu questioned her on this. Nayan escaped from Simbhu and declared she is not in LOVE with Simbhu and all her relationship that she might have had with him is broken.
Shocked and upset over this, Simbhu moved to US and then to UK and reached Chennai only by the middle of January 2007.
Recently photos showing Nayan in close relationship with Simbhu appeared in many websites. This sent shock waves in Cine industry.
There were rumors that Nayan committed suicide because of the photo issue. But she was actually happily participating in Telugu shooting at Hyderabad.
Suddenly from Hyderabad she went to Kerala canceling all her shooting schedules.
The reason behind her sudden decision was told as that Simbhu went to Hyderabad to meet and discuss with her to compromise her, but Nayan does not want to meet this guy. Simbhu actually tried to meet her at the shooting spot and as she refused he went to the hotel where she was staying and as Nayan does not want to meet him, even without visiting the hotel, she escaped to Kerala and she is now with her parents.
To be noted is she is not visiting Chennai after her dispute with Simbhu and she even never flies over TN.
When we contacted Nayan for her comments, she simply said "No answers for gossips". When Simbhu was contacted for getting clarification, he says "If I would like to meet her, then I might have done this long before when I returned from US/UK. I have no need to meet her and seek for a compromise."
New upgrade
If you guys have notice our blog template have changed. This because of i have now upgrade our blog to new version which is Blogger Beta. So the old template have to changed with this template for temporally.
So look like our blog dah jatuh sakit ready... no one contributing anything ready.
Must be everyone is busy.... anyhow if guys have time just say something in the blog.
since this year have started we haven't have any meeting. Hope that we can meet soon.
So look like our blog dah jatuh sakit ready... no one contributing anything ready.
Must be everyone is busy.... anyhow if guys have time just say something in the blog.
since this year have started we haven't have any meeting. Hope that we can meet soon.
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